{"id":2523,"date":"2008-05-16T15:17:00","date_gmt":"2008-05-16T15:17:00","guid":{"rendered":"http:\/\/sifr.it\/sifr_new\/?p=2523"},"modified":"2021-05-16T15:19:25","modified_gmt":"2021-05-16T15:19:25","slug":"les-albas-occitanes-etude-et-edition-par-christophe-chaguinian-transcription-musicale-et-etude-des-melodies-par-john-haines-paris-champion-2008-classiques-francais-du-moyen-age-156","status":"publish","type":"post","link":"https:\/\/sifr.it\/sifr_new\/les-albas-occitanes-etude-et-edition-par-christophe-chaguinian-transcription-musicale-et-etude-des-melodies-par-john-haines-paris-champion-2008-classiques-francais-du-moyen-age-156\/","title":{"rendered":"Les albas occitanes. Etude et \u00e9dition par Christophe Chaguinian. Transcription musicale et \u00e9tude des m\u00e9lodies par John Haines, Paris, Champion, 2008 (Classiques fran\u00e7ais du Moyen Age, 156)."},"content":{"rendered":"\n<p><strong><em>Les albas occitanes<\/em>. Etude et \u00e9dition par Christophe Chaguinian. Transcription musicale et \u00e9tude des m\u00e9lodies par John Haines, Paris, Champion, 2008 (<em>Classiques fran\u00e7ais du Moyen Age<\/em>, 156).<\/strong><\/p>\n\n\n\n<p>ISBN 978-2-7453-1563-2, 356 pp., 32,00 euro<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"368\" src=\"http:\/\/sifr.it\/sifr_new\/wp-content\/uploads\/2021\/05\/chaguinian_albas.jpg\" alt=\"\" class=\"wp-image-2524\" srcset=\"https:\/\/sifr.it\/sifr_new\/wp-content\/uploads\/2021\/05\/chaguinian_albas.jpg 232w, https:\/\/sifr.it\/sifr_new\/wp-content\/uploads\/2021\/05\/chaguinian_albas-189x300.jpg 189w, https:\/\/sifr.it\/sifr_new\/wp-content\/uploads\/2021\/05\/chaguinian_albas-92x146.jpg 92w, https:\/\/sifr.it\/sifr_new\/wp-content\/uploads\/2021\/05\/chaguinian_albas-32x50.jpg 32w, https:\/\/sifr.it\/sifr_new\/wp-content\/uploads\/2021\/05\/chaguinian_albas-47x75.jpg 47w\" sizes=\"auto, (max-width:767px) 232px, 232px\" \/><\/figure><\/div>\n\n\n\n<p>Ce volume offre une \u00e9dition critique des 19 pi\u00e8ces qui constituent le corpus de l\u2019<em>alba<\/em>\u00a0occitane. L\u2019\u00e9tude qui la pr\u00e9c\u00e8de cherche \u00e0 rendre compte de l\u2019aspect vari\u00e9 de ce corpus, constitu\u00e9 de compositions \u00e9rotiques aussi bien que religieuses, et remet en cause sa division traditionnelle en trois modalit\u00e9s th\u00e9matiques\u00a0:\u00a0<em>albas de s\u00e9paration<\/em>,\u00a0<em>contre-alba<\/em>, et\u00a0<em>alba religieuse<\/em>. L\u2019\u00e9tude des textes am\u00e8ne au contraire \u00e0 distinguer un seul groupe th\u00e9matique, celui des\u00a0<em>albas de s\u00e9paration<\/em>, tandis que le reste du corpus int\u00e8gre un ensemble h\u00e9t\u00e9rog\u00e8ne dont le seul point commun ind\u00e9niable est le recours au mot\u00a0<em>alba<\/em>\u00a0dans le cadre d\u2019un refrain. Ce second groupe r\u00e9sulte de l\u2019importance prise par le mot\u00a0<em>alba<\/em>\u00a0comme refrain dans l\u2019<em>alba de s\u00e9paration<\/em>. Une fois que le mot, comme indice formel, eut int\u00e9gr\u00e9 l\u2019horizon d\u2019attente du genre de l\u2019<em>alba de s\u00e9paration<\/em>, la perception de celui-ci s\u2019est transform\u00e9e. De genre th\u00e9matique, caract\u00e9ris\u00e9 par le th\u00e8me de la s\u00e9paration, l\u2019<em>alba<\/em>\u00a0s\u2019est alors transform\u00e9e en genre th\u00e9matico-formel o\u00f9 un trait externe, le mot-refrain, a fini par jouir d\u2019une importance aussi grande que le th\u00e8me. Devenue th\u00e9matico-formel, le genre de l\u2019<em>alba<\/em>\u00a0a pu ais\u00e9ment se transformer en genre\u00a0<em>formel<\/em>, c\u2019est-\u00e0-dire simplement caract\u00e9ris\u00e9 par le retour du mot\u00a0<em>alba<\/em>, et libre d\u2019exprimer les th\u00e9matiques les plus vari\u00e9es. L\u2019\u00e9dition comprend aussi une \u00e9tude des deux m\u00e9lodies transmises par les manuscrits.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les albas occitanes. Etude et \u00e9dition par Christophe Chaguinian. Transcription musicale et \u00e9tude des m\u00e9lodies par John Haines, Paris, Champion, 2008 (Classiques fran\u00e7ais du Moyen Age,<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2523","post","type-post","status-publish","format-standard","hentry","category-novita-bibliografiche"],"_links":{"self":[{"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/posts\/2523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/comments?post=2523"}],"version-history":[{"count":1,"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/posts\/2523\/revisions"}],"predecessor-version":[{"id":2525,"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/posts\/2523\/revisions\/2525"}],"wp:attachment":[{"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/media?parent=2523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/categories?post=2523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sifr.it\/sifr_new\/wp-json\/wp\/v2\/tags?post=2523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}